music: actually I really do know

“Ride Line the Wind” is the hit Christopher Cross song with the incomparable Michael McDonald killing it on “background” vocals, but I think this album track is even better. It took years to track it down because I assumed it was a Doobie Brothers song with McDonald, but after listening to all their albums with him I realized it must be another artist, and eventually found it.

The early digital production is so densely (but cleanly) compressed that producer Michael Omartian’s “blue” piano chord at 1:22 leaps out. The chorus is so good that Christopher Cross overuses it, but the way MM is double-tracked with an added “(I really don’t) KNOW” harmony from the third chorus on is 😘. The song’s anxious uncertainty treads novel ground compared with rote “Baby I love you” songwriting, and the fantastic guitar solo by another L.A. studio legend Larry Carlton fits the mood perfectly. If Christopher Cross had come up with a bridge it would be a perfect song.

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DIY disaster part 42: screws, badly

Buy two fancy bronze ceramic-coated star drive truss head lag screws, and screw them in to repair the fence board. How hard can it be?

photograph of back of fence with markup circling two screws that completely failed to penetrate the fence rails, with pouting cat and clown emojis
it helps if they actually screw into the fence rails

DIY Disaster caption contest

  1. If good fences make good neighbors, then…
  2. It looks great on the neighbor’s side, and that’s all that matters.
  3. 🎼I think I missed again, oh-ho-oh🎶 × 2 (Phil Collins)
  4. Live chat now! with “@Screws Badly” on OnlyFans.

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art: Tracey Emin – woman power, woman pain

I found Tracey Emin’s “A Second Life” exhibition at Tate Modern irritating at first because you have to read paragraphs of her handwriting. But the payoffs are huge. “My Future” ends with “That’s the last Dead Thing to Leave my body” (her extracted dead tooth 🦷🫨!), which in the context of the life she lays bare leaves you gasping.

Tracey Emin's 1993 mixed-media piece: three presentation boxes showing her old passport, a dead extracted tooth with a dentist's business card, and a devastating hand-written letter
My Future by Tracey Emin 1993-1994; it’s work to read the text, but do it!

The quilted blankets are as moving as ever (… if you read enough panels). Her paintings of figures with black or red marks in place of faces are intense, better perhaps than the William De Kooning figure paintings of which they remind me in my limited exposure.

figurative painting of two forms roughly outlined in blue by Tracey Emin
Not F***able, 2023 (205 × 279 cm acrylic – big! – on canvas); intense

The room showing her 1996 video “How it Feels” about her abortion was standing-room-only full of women. She goes deep on the inescapable fact that women are tied to their bodies, in ways men simply aren’t.

It was pure luck that the “Sensation” show was on at the Royal Academy in 1997 when I strolled in, including her tent “Everyone I Have Slept With 1963-1995”. I didn’t get the work then, I may never fully “get it,” but the show’s title didn’t lie.

photograph of Tracey Emin's mixed media conceptual artwork "Everyone I Have Ever Slept With 1963–1995", a tent to which she appliquéd the names of, literally, everyone she had ever slept with
literally, everyone she had ever slept with, but not necessarily sexually

The Guardian review of “Second Life”

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AI: Google AI clueless about Google’s Android

Google Gemini AI’s stupidity regarding its own capabilities and behavior on Android is infuriating. Someone texted me a screenshot of a dinner reservation. So I long-press the Android home button to enter AI mode, and ask it to add the event to my calendar.

Google Gemini AI on Android has no idea how it behaves on Android
  • Gemini AI Mode does OCR (optical character recognition) on the reservation image and flawlessly extracts the event info. ✅
  • It creates a link with the event info as a data URL, but that just gets rendered as Markdown code, no link. ❌
  • It presents the event info as a vCalendar .ics text record and tells me to copy it into Notepad for Windows or suggests it will appear as a desktop shortcut. We’re chatting on Android, ya brainless clanker! 🤦❌
  • I copy the ICS text, then share it to the Android Files app. But the Android team treat the whole concept of files as unworthy scum, and nothing happens.❌
  • It displays Download this ICS event, but again that’s just a heading, it’s not clickable. ❌
    • This calendar event file approach is probably doomed because only desktop Google Calendar can import a .ics file (because the Android team treat the whole concept of files as unworthy scum).❌
  • It suggests I go to the Gemini app (aren’t I in that already?!) and tell it to create the calendar event, dictating the details. Result: I cannot directly add events to your personal calendar because I do not have access to your Google account.❌
  • Over and over Gemini writes Here is a link to Google Calendar with a prefilled template or Click this Android intent link or Click to open in Android Google Calendar app, but it’s never a link or working button.❌
    • Every time I complain that the text Gemini displayed is not a link, it dutifully apologizes… and presents me a different kind of link that isn’t a link. How can Gemini not know about its own limitations on Google’s own platform, one with 3.9 billion users?❌

Awesomely capable AI developed by Nobel-winning Ph.D.s dropped into a bloated dysfunctional company.

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art: home is Incomplete Open Cubes 5/9

Sol LeWitt programmatically/accidentally made the most simple, refined, and beautiful home evar,

Can you spot it in this housing development?

Sol LeWitt, 1974 122 Variations of Incomplete Open Cubes.
122 structures, painted wood, each 8 by 8 by 8
inches; base, 182 plywood squares, each 2 by 12 by 12
inches; 131 pen and ink drawings and photographs.
(Installation, SFMOMA)

I saw this exhibition at SFMOMA around 2024, a sublime quiet experience. The artwork is the name: starting with three connected sides of a cube that extend in three directions/dimensions, what are all the possible forms of a cube? But as usual with LeWitt, the realization of the conceptual art is itself aesthetically pleasing: the drawings, the actual existence of the conceptual forms as sculptures laid out in real space, it’s all so good. The way they get more varied with more “limbs” and then simplify as they approach 11 edges (it doesn’t include the final “full” cube) is lovely. It is much bigger than this appears (it was in a huge room), but it isn’t overwhelming.

computer SVG reconstruction of Incomplete Open Cubes 5/79 by Xxxx

My favorite is this element, Incomplete Open Cubes 5/9. It outlines a front door and front garden 🏡, what else do you need?😍

I was quickly drawn to it over every other shape in the exhibition.

A museum room at SFMOMA displaying images and sculptures of Sol Le Witt's conceptual artwork showing all the possible forms of "Incomplete Open Cubes", made up of 3 to 11 edges of a cube.
View of installation of my favorite “5/9” among other sculptures and images from Incomplete Open Cubes 1974, redisplayed at SFMOMA

Here’s a link to an SVG reconstruction of it.

Make me a concept, mmmkay?

I’d love to own a realization of this particular instance, Incomplete Open Cubes 5/9, or commission a replica; 60 cm (24 inches) a side would fit nicely at the top of our staircase. It’s just baked enamel on aluminum, how expensive can it be? Uh-oh, the auctioneer Christie’s sold Incomplete Open Cube 7/14 in 2011 for… $206,500.

Two more edges and much bigger for much major money

True, this is a larger floor-standing sculpture, 42 inches (106.6 cm) on a side. The dozens at SFMOMA were more petite, apparently only 8×8×8 inches. And this has two extra edges, so the smaller one should be 28% off!?

Is there an official fabricator of these? What are the ethics of ripping off the exquisitely thoughtful concept of a dead artist (Sol LeWitt, 1928-2007, RIP).

Incomplete list of Incomplete Open Cubes

Art Gallery of NSW has 5/8, same number of edges (five), but it’s all spiky and overturned stool.

There’s also a book from the original 1974 gallery exhibition at John Weber Gallery, ‘Sol Lewitt “Incomplete Open Cubes”.’ It’s only $500 for a rumpled version.

Links

I’m not the only one struck by the excellence of the idea, execution, and result. Critics and mathematicians love it.

Home

The Earth can be any shape you want it
Any shape at all
Dark and cold or bright and warm
Long or thin or small
But it’s home and all I ever had
And maybe why for me the Earth is flat

— “The Flat Earth”, Thomas Dolby (1984)

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music: Charlie Puth deadens his talent

I didn’t pay much attention to Charlie Puth; his fans giving him way too much credit for having perfect pitch and producing his own songs turned me off. But he delivered a smart excellent rendition of the U.S. national anthem at Super Bowl LX and I watched his delightful interview with Rick Beato nerding out on chords, harmony, and production with some scintillating piano. He has the impressive knack of playing every song they talk about from memory in the right key and tempo, such that Rick Beato’s great video editor could mix in audio of the actual song each time. Listening to him play piano live along with his own tracks brings out his inventive jazz chord changes. It’s a fun, interesting interview.

So I listened to Charlie Puth’s new album Whatever’s Clever! with high hopes. Alas, its sound sucks. Everything is flat with minimal dynamics, the background vocals and vocal stylings aren’t in the background, instrument solos slouch in instead of leaping out of your speakers (the not-a-Bruce-Hornsby piano solo on “Changes” is disgustingly low in the mix), and it manages to blow Michael McDonald’s first verse on “Love in Exile”. It’s quite terrible, though the worse your playback system is the less offensive it sounds, and the later quieter songs like “Home” suck less. Charlie Puth and producer BloodPop (sic) took a fond homage to 1980s yacht rock/soft rock, and threw a dynamic-range-destroying lead blanket over it.

At 24:38 Charlie Puth explains: “But we really wanted to make a mix that purposely felt slammed, that still felt dynamic, … very compressed, sounds very loud. When you press play, it’s like whoa. There’s no room to breathe.” Well, mission accomplished 😕.

At 25:06 “I wanted it to feel uh like a like a cassette deck, like a like a BMW in a hot summer day and you can smell the leather” I’ve listened to 1980s cassettes in a BMW while smelling the leather, and most sounded far, FAR better than this. 40 years later, what the hell?! This is not grumpy old person Get off my lawn today’s music is cRAP whining. I listened to Whatever’s Clever! in between Willow’s new petal rock black (it’s no Empathogen , but what is?) and Haitus Kaiyote’s interesting Love Heart Cheat Code. They’re 2020s record production that sound so much better!

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skiing: missing the bigger picture

actual story: the 41-year-old wins big!

Lindsey Vonn will be remembered for attempting a comeback at 41, completely rupturing her ACL in a downhill race crash nine days before the Winter Olympics, competing in the Olympic downhill anyway, and then really trashing her leg in the downhill when she clipped a gate with her pole. Armchair commentators will draw conclusions about hubris, daredevilry verging on insanity, and raging against aging. But the incredible story is at age 41 she was leading in the women’s downhill World Cup before the crash! She had won two downhill races outright and achieved five straight podium finishes ⛷️🥇🏆. Even after missing the second half of the season she came fifth overall. Crashing is easy 🤕🩼; it’s winning races that make her one of the greats.

actual story: forget the Olympics, a dominant season

Similarly, the top story this season for Mikaela Shiffrin is not her “redemption” by winning the 2026 Winter Olympic women’s slalom. It is her insanely dominant performance in slalom races throughout the season. She won nine out of ten slalom races to win the overall women’s World Cup for the sixth time. She “narrowly came second in the remaining contest, claiming an incredible 980 out of a possible 1000 points… six of her nine victories came by over a second”. The GOAT got more 🐐-er.

I pointed out in my still-unfilmed interview segment of her on The Tonight Show that in her so-called failure at the 2022 Winter Olympics she came ninth in super-G, which is far from her specialty. Ninth best in the world at anything is an unimaginable achievement for billions of people! But the greats push themselves so hard that they agree with low-talent reporters who characterize it as failure.

A genuine team player?

It’s hard to discern the character of top athletes beyond “fierce competitor” when they have “teams” and “people” handling PR. However, Shiffrin seems to be happy when other skiers do well. At the 2026 Winter Olympics she competed in the odd team combined event with Breezy Johnson, who had just won the women’s Olympic downhill. Johnson posted the fastest downhill time in her part of the combine event, but Shiffrin only came 15th in the slalom part, So the pair “only” came 4th in the world. But that mean that her teammates Jackie Wiles and Paula Moltzan won the bronze medal and Shiffrin seemed genuinely happy for them.

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music: Love (and $$$) Will Keep Us Together, Paul Gilbert

Paul Gilbert is an entertaining voluble guitar whiz. I’ve watched a few videos of him, so YouTube recommended “Paul Gilbert – The Process of Translation | AMS Interview”. Lot of talk, but at 6:20 he casually unleashes a fantastic cover of the 1973 chestnut “Love Will Keep Us Together” by Captain and Tennille (written by Neil Sedaka and Howard Greenfield), which is the greatest damn thing on guitar I saw all last year!

Another lost video

The cover stuck in my mind and I tried to return to this video, but I couldn’t find it for months. Searching DuckDuckGo, Google, and Youtube for “Paul Gilbert glasses and short hair”, “Love Will Keep Us Together”, “1970s covers”, “two guys on couch”, “motorcycle” all failed to find it, but eventually Google AI Mode coughed up this video, with all the elements I remembered .

Great covers but not this one

I need, need, need a recording of Paul Gilbert playing the entire “Love Will Keep Us Together.” I couldn’t find a recorded version of it on Paul Gilbert’s Bandcamp, and it’s not on Setlist.fm’s huge list of songs that Paul Gilbert has covered in shows (but the list is delectable – “Magic” by Pilot,”Too Shy” by Kajagoogoo, “2 Become 1” by the Spice Girls, …😍).

Money talks, but does it record?

So I’ve reached out on the Paul Gilbert subreddit:

I want the whole song, both straight and a heavy shred-rock version with all the motifs turned up to 11, and I’ll pony up $$$$ to make it happen <Futurama Shut up and take my money GIF>. Seriously. How can I contact Paul Gilbert’s management?

We’ll see if “Executive producer: skierpage” happens.

Postscript: AI hallucinates yet again

Google’s AI Mode started hallucinating that Paul Gilbert played this song on the “Rock and Metal School of Music” and the Japanese “Young Guitar Magazine” video channels, and then took a hit of LSD and

The track is officially available on his 2021 album, The 80’s Hits For Rock Guitar, which also includes rock versions of tracks like “What a Fool Believes” and “Go All the Way.”

There is no such album.

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money: fElon Musk’s paper wealth is real

Elon Musk is the richest person in the world thanks to the shares of Tesla, Xitter, xAI, and SpaceX that he owns. He’s forced xAI to acquire Xitter and now SpaceX to acquire xAI in order to hide their losses inside a more valuable company, but his stakes in Tesla and SpaceX provide most of his estimated net worth of an obscene $500-850 billion dollars.

Some people point out that this isn’t real wealth, it’s “paper” wealth. He may own billions in Tesla shares, but if he sold all his Tesla shares tomorrow, that would crash the TSLA stock price, so he wouldn’t rake in the current value of his share of Tesla, $90 billion as of 2026-02-10 (and throughout the rest of this post). So is his wealth just fake “paper wealth” or is it real?

Poor rich illiquid kid

One term for the mismatch between on-paper value and what you can get for something is “realizable liquidity,” but that seems more to refer to the contrast between assets that can quickly be converted into cash and fixed assets like buildings that are harder to liquidate; stocks fall in the middle. Claude.ai calls the stock worth issue a “liquidation discount” or “illiquidity discount” resulting from the “market impact” or “price impact” of dumping a lot of shares.

But there doesn’t seem to be any robust formula for working out this discount, Claude-ai guesses it would be 20-40% for Musk, so in a fire sale he’s only worth $300bn, not $500bn. Large shareholders reduce their positions slowly to minimize the discount, and certain investors are required to file a “10b5-1 plan” with the SEC setting out how they will sell their shares, so they can’t time their stock sales to happen immediately after good news or before bad news. Elon Musk doesn’t seem to have filed such a plan, but maybe he’s secretly selling and figures he’ll get a slap on the wrist for undisclosed stock sales from the convicted orange grifter’s administration.

Give me more shares or I’ll tank my own company.

In the past Elon Musk has got spending money by taking out loans against the value of his Tesla shares. In general rich company owners hate selling stock, because a) they would actually have to pay significant taxes (the horror!), and b) it reduce their control. But to buy Xitter (pronounced as in President Xi of China) he had to actually sell a few billions in Tesla. That plus Tesla issuing and selling more shares over the years (including to Toyota and Mercedes) means Musk only owns ~13% of Tesla shares.

So the thin-skinned troll publicly muses about losing interest in Tesla unless he regains ownership of more of the company. Instead of telling him to go f*** himself and finding a CEO who’ll focus only on Tesla instead of spreading racist tropes and lies on Xitter and dreaming of moon bases and datacenters in spaaaace, the Tesla board is so afraid he’ll leave and the stock will drop that they agreed to a trillion-dollar pay package that will give Musk the greater share of Tesla that he wants (and far more than all the stock grants to mere employees to give them a motivating stake in the company’s future). This is patently ridiculous; if Tesla meets the various targets in the compensation plan, Musk’s existing share of Tesla will be worth a trillion dollars, which is incentive enough to any “normal” executive. But he wants more, always more.

The whole pie is worth less than a slice, but a slice is worth whatever the market says it is

Even if he can’t turn all his wealth into cash money in a week, Musk’s wealth is very real. If a mere $10-millionaire sells $1M of assets, they have 10% less assets. But if fElon sells TSLA stock to raise $100M of cash money tomorrow that would only be 250,000 shares which is a tiny 0.4% of TSLA daily trade volume, and he’d still have 99.9% of his ~$90 billion of “paper wealth” in TSLA stock. He would have to disclose that he’s dumping TSLA stock in an SEC filing which would increase negative sentiment on Tesla… but it seems nothing will pop Tesla’s insane P/E ratio (395 times earning).

Tax wealth!

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art: Santa brings Jhane Barnes beauty

Santa figured out there is an endlessly updating treasure trove of Jhane Barnes shirts on eBay. Here are two stellar designs I received. From a distance the check shirt looks straightforward, but the fibers in each square and of each oval in the other shirt are somehow 3-D, not a flat part of the weave. Her art always reveals more the closer you look.

“Sometimes there’s so much beauty in the world…” (American Beauty)
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